Smithereens. 1998 American comedy-drama film directed by Chris Columbus and starring Julia Roberts, Susan Sarandon, and Ed Harris. Rated the #86 best film of 1982, and #6146 in the greatest all-time movies (according to RYM users). Susan Seidelman’s Smithereens (1982) and Alex Ross Perry’s Her Smell (2019), which play back-to-back at the Brattle Theatre next week (Aug. 15) as a punk rock double feature, are films made in completely different keys. A data point might be nothing, or it might contain a whole life. I won’t give away too much of Smithereens … Reviewed by: Emma Slawinski. "Smithereens" is the kind of worthless flick which just hangs out among the cable channels taking up space like a cheesy dime novel in the public library. The Smithereens - Only A Memory (REACTION|REVIEW) Joshua Towers: Radio. ‘Supernova’ Review: Colin Firth and Stanley Tucci Gently Smash Your Heart to Smithereens Reviewed at San Sebastián Film Festival (competing), Sept. 22, 2020. Notable Video Game Releases: New and Upcoming. In the logic of early '80s New York City as manifested in Susan Seidelman's 1982 debut film, Smithereens, there most certainly is. Review of Smithereens (1982) by Christopher Machell for CineVue — 02 Sep 2018. Smithereens. 11 is the third studio album by American rock band The Smithereens, released on October 24, 1989 by Capitol Records. Customer Reviews. ... low-budget film about a naive narcissist in NYC. A young woman barely scrapes by in Susan Seidelman’s 1982 feature. Scott Pilgrim vs. the World: The Game - Complete Edition. Serves as a time capsule for NYC's punk rock scene in the '80s. 14:07. Basically, Smithereens is a one-man highlight reel of anguish and instability. As a portrait of a young woman living on the edge and unwilling to change how she lives her life, Seidelman crafted a … Don't have an account? Genres: Music, Drama. They released two EPs, Girls About Town (1980) and Beauty and Sadness (1983), both of which received positive reviews. Smithereens. Sarandon won the San Diego Film Critics Society Award for Best Actress and Harris won the National Board of Review Award for Best Supporting Actor, sharing the win with his role in The Truman Show. A worthless bit of tripe and first effort for mediocre director Seidelman, the film is fraught with bad acting, bad sound, bad camera work, and poor quality in all aspects of the film. Originally shot on 16mm and blown up to 35mm, Criterion’s transfer looks fantastic and retains the organic qualities present in the original presentation. For this paralyzing vicariousness alone, Smithereens is as unsparing (and, as of 2016, accurate) a sketch of twentysomething life in New York City as American independent cinema has yet offered. And he cared. Please enter your email address and we will email you a new password. Shot on 16 mm film that captures the grit and glam of downtown in the 1980s, with an alternately moody and frenetic soundtrack by the Feelies and others, Smithereens—the first American independent film to compete for the Palme d’Or—is an unfaded snapshot of a bygone era. But before it runs out of steam, Smithereens is ragged, funny and eccentric. Review published March 1, 2011. Tweet. But before it runs out of steam, Smithereens is ragged, funny and eccentric. Related Topics: Brad Rijn, Chris Noth, Criterion Collection, Nada Despotovich, Richard Hell, Smithereens, Susan Berman, Susan Seidelman, U.S. Indie Film Blu Ray Review Nicholas Bell Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. The film has never looked better. Without spoiling it, Chris has been bludgeoned by an event that he … One, Smithereens, is a snapshot of a 1980s New York City that no longer exists, captured in its gritty, … In keeping with this energy, Smithereens also benefits from greater consistency of tone. I must admit that I had some high hopes for this film, considering it was directed by Susan Seidelman, who would go on to direct the 1985 film, "Desperately Seeking Susan". It's good work in aid of very little. Smithereens is Susan Seidelman’s first feature-length endeavor and reads like a love letter to New York City in the late 70s/early 80s and specifically to the converging punk, new wave and no wave scenes that could be thrilling, edgy and seductive, but also harsh, spurning and dismissive of those with a modicum of earnestness, much like the city itself. This review is for The Blue Underground version of the 1982 film, "Smithereens"! Smithereens rocks onto Blu-ray in a 1080p/AVC MPEG-4 encode from a new 2k restoration. Please enter your birth date to watch this video: You are not allowed to view this material at this time. The grimy, crime-ridden cesspool of New York in the 1970s and early 1980s is a well-worn cinematic setting, but in her debut 1982 feature Smithereens, indie director Susan Seidelman used guerilla filmmaking techniques and a faux-documentary style to unearth the vitality and the verve of urban life at the bottom. Criterion Review: Smithereens By CineVue 3 September 2018 2 January 2020 Christopher Machell / Reviews The grimy, crime-ridden cesspool of New York in the 1970s and early 1980s is a well-worn cinematic setting, but in her debut 1982 feature Smithereens , indie director Susan Seidelman used guerilla filmmaking techniques and a faux-documentary style to unearth the … Film. It’s an effect that gives the film its almost dreamlike texture, and it’s one that Criterion’s restoration is careful not to dispel. Film. A worthless bit of tripe and first effort for mediocre director Seidelman, the film is fraught with bad acting, bad sound, bad camera work, and poor quality in all aspects of the film. ''Smithereens,'' which was resourcefully directed by Susan Seidelman on an outstandingly meager budget of under $100,000, presents just such a character, and presents her with wit, style, and … From SMITHEREENS, image courtesy the Criterion Collection. The Smithereens CEO was on the phone with him for just 10 minutes. It has as much life as the indefatigable Wren, and that's plenty. Submit Your Film to Film Threat. Criterion Review: SMITHEREENS. The hostage spent 40 minutes with this character and then he cared. Smithereens is an unflinching look at a moment in time that is now looked at with rose-colored glasses. Wren is a self-promoting Jersey girl desperate to break into the downtown Manhattan music scene. The Smithereens hit the club circuit hard, building up a loyal fanbase. Leave a comment. Watch the Black Mirror episode Smithereens on Netflix now! Susan Seidelman is perhaps most readily known for her 1985 Madonna vehicle Desperately Seeking Susan, but it is in Smithereens that its more famous successor took its low-budget, rawly independent first steps. Write Your Own Review. Tidak terlalu melakukan eksplorasi pada teknologi seperti episode Black Mirror pada umumnya ‘The Smithereens’ tidak bisa diremehkan karena berhasil memberikan dampak yang tidak kalah kuat. The film opens with a woman's hand dangling a … Though SMITHEREENS is not without its problems--much of the material seems to be cliched--it is a good display of what a persistent creative drive can achieve. The Smithereens CEO was on the phone with him for just 10 minutes. Smithereens is no … I must admit that I had some high hopes for this film, considering it was directed by Susan Seidelman, who would go on to direct the 1985 film, "Desperately Seeking Susan". This debut feature from Seidelman (ex-New York Film School) may be small and unambitious, but its old tale of the little girl lost in the city is told with energy and verve. Share. Judging by many of the reviews, we viewers gave the main character 60 minutes of our attention and by the end we cared about him. Wren's shallow cynicism and willingness to exploit others ultimately exposes her own vulnerability. Susan Seidelman's (She-Devil, Gaudi Afternoon) first project out of film school at New York University sees a young New Jersey woman named Wren (Berman, Adventures of Rocky & Bullwinkle) try to schmooze ... makes Smithereens quite the time vault-worthy film. It includes the Billboard Top 40 single "A Girl Like You".The album was certified gold by the Recording Industry Association of America in June 1990.. (Also in London Film Festival.) Consulta críticas de usuarios y opiniones sobre Black Mirror: Smithereens (TV), y lee lo que opinó la crítica tanto profesional como de usuarios de Black Mirror: Smithereens (TV) [28 May 1983, p.D7]. The film feels real thanks to the on location shooting and grainy film stock which helps add to the grittiness and off the cuff nature of the piece. And so Smithereens is conceptually “Uber-versus-Twitter.” That mix-and-match approach lends Smithereens an infectious energy that carries the narrative across the runtime better than either of the two surrounding episodes. Smithereens was Seidelman’s directorial feature and we go back to the 1970’s with two short films from her time at film school. Despite being a downer of a story, Smithereens casts a beguiling spell as an everlasting record of the shifting punk scene in America. ... Smithereens is a fun, nostalgic film with a little streak of calculated bitterness – it’s a perfect comeback to all hollywood’s uber-airbrushed heroines. Eventually, it becomes clear that neither Wren nor the movie is going anywhere, since the character never becomes any more thoughtful or less selfish than she was to begin with, and since her bouncing between Paul and Eric has become both predictable and strained. Recipient(s) will receive an email with a link to 'Review: Smithereens by Susan Seidelman' and will not need an account to access the content. AG11 uses Letterboxd to share film reviews and lists. Toy News Tuesday: Fully Armed And Operational. A story about a young woman struggling to find herself in the big city. Judging by many of the reviews, we viewers gave the main character 60 minutes of our attention and by the end we cared about him. Wren (Berman) is a working class girl from the wrong side of the Hudson River, come to Manhattan to take her peck at the big, bad apple. There are a number of reasons for this. Night Stalker: The Hunt for a Serial Killer. By creating an account, you agree to the Privacy Policy Much more than a punk artifact, Smithereens is a landmark that showcases how the urge of self-creation and the seduction of reveling in self-destruction dance side by side. Seidelman's direction was actually pretty assured considering it was her first feature movie. Even with this promising start, though, Babjak says there were still naysayers. This review is for The Blue Underground version of the 1982 film, "Smithereens"! The title comes from Eric’s punk band, which is on the cusp of a big breakthrough that, the film insinuates, couldn’t include Wren even if both he and she wanted it to. © 2021 METACRITIC, A RED VENTURES COMPANY. Get the freshest reviews, news, and more delivered right to your inbox! Leer críticas de Black Mirror: Smithereens (TV), dirigida por James Hawes. ALL RIGHTS RESERVED. And by the end, when Wren seems about to be billed for her sins, it's hard to care much one way or another. Every image in Smithereens is fogged by grain. This Black Mirror Season 5 episode was directed by James Hawes who also directed the Season 3 feature-length final episode Hated in the Nation. Episode 1 – Striking Vipers "Smithereens" is the kind of worthless flick which just hangs out among the cable channels taking up space like a cheesy dime novel in the public library. Also, for the most part, the acting is good--Rijn in particular stands out. Every image in Smithereens is fogged by grain. The website's critical consensus reads, "A slippery moral dilemma and a superb turn from Andrew Scott make "Smithereens" watchable, even if its familiar story feels more like an early episode of Black Mirror than a fresh futuristic horror story." Most subtly, Black Mirror has reached the point where it has covered enough ground that perhaps there aren’t too many high concepts left to explore, and so the only logical thing left to do is to mash a few of them together, outside of … A narcissistic runaway engages in a number of parasitic relationships amongst members of New York's waning punk scene. This review is for The Blue Underground version of the 1982 film, "Smithereens"! Smithereens would be the first American indie film to compete for the Palme d’Or at Cannes Film Festival — quite a feat for a young woman director. The Film Theorists 3,219,521 views. Written by ddevelop Posted August 13, 2019 Filed Under: A+E, Film. Smithereens is a 1982 American drama film directed by Susan Seidelman and starring Susan Berman, Brad Rijn (billed as "Brad Rinn"), and punk rock icon Richard Hell. This low-budget drama film dives into some deep meaning with its thoughts upon loneliness, love and living off nothing. 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